陰陽座(Onmyo-za) new live album from last year’s tour “吟澪灑舞” will be released 2026/03/18.
TrackList:
01.澪
02.吟澪に死す
03.深紅の天穹
04.鬼神に横道なきものを
05.毛倡妓
06.誰がために釡は鳴る
07.大いなる闊歩
08.星熊童子
09.紫苑忍法帖
10.故に其の疾きこと風の如く
11.地獄
12.鈴鹿御前 - 鬼式
13.大嶽丸
14.鈴鹿御前 - 神式
15.組曲「義経」～悪忌判官
16.邪魅の抱擁
17.三千世界の鴉を殺し
18.焔之鳥
19.鳳翼天翔
20.火車の轍
21.舞頚
22.羅刹
23.無礼講
24.悪路王
@zeus should I use this to try one more time to get into them? I need your seasoned opinion.
I don’t see why not. Did you like their last album? I thought it was solid.
That’s the thing; I have tried getting into them for MANY moons. On paper, it clicks to me. When I try to listen to a lot of their tracks, I get audio fatigue right away. I’m more so asking if theyre different live vs. a studio take. And FUCK, ill take any of your recommendations.
Try this! It’s one of my favorite songs of theirs and this is a live take! Not sure what you mean by audio fatigue but maybe it has something to do with their mastering.
This was one of their cuts from their latest album. Does this fatigue you too?
Let me get back to you in an edit. You’re wonderful.
Mao: Absolutely ripping. It definitely tires my ears though; you’re absolutely right about the mix/master. Loving the dual vocalist set up. Kuroneko is haunting, isn’t she? Kind of reminds me of an enka singer.
Ootakemaru: Are they using old compressors on the guitars?! My ears are so weak! Otherwise, I am enjoying the fuck out of this. Matatabi’s Oni voice gives me chills.
Okay, @zeus they rule. Thank you so much for putting me on to them!
I exist to put people onto this band. Been doing it since 2013 and I’m not stopping anytime soon!
I have to leave a ballad in here at some point because their ballads are excellent. And I am curious to see if it tires your ear more or less. This is the first time I’ve ever heard someone describe their music as that (it’s an effortless listen for me) so I’m interested in understanding more.
It’s probably as i said: they’re probably using vintage compressors in their main rigs, and the mastering for that particular sound was really prevalent in a lot of 80s thrash/heavy metal, and hard rock productions. It’s a huge reason why I like Queensryche/Slayer/X Japan/Luna Sea’s earlier work, but listening to it is difficult because of that!
YAAAAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYY
edit: did anyone write in roomaji yet it’s pronounced “ginrei saibu”
Thank you!
