I went to Paris to see VK history, and all I got was this heatwave.

So I suppose…I lied when I said the last trip would be it for a while. Not entirely, but it went like this. At first, I booked the tickets for J-rock fest…then, I noticed a bunch of stuff being announced in Japan…so I booked a two week Japan trip, thinking that I could juggle both trips.

Then the uncertainty about B7Klan’s festival started circulating…and then, Masked Fest was announced…a week after I was scheduled to leave.

And then I was saying to myself…too bad I can’t go to Masked. But then…I said “well, why *can’t* I go to Masked?” So I went…

And then the war in Iran kicked off. Fuel prices soared, and flight cancellations were a very real concern. So I said “whelp, guess that was a good gamble. Looks like Paris is a no-go for now”.

Then came the waffling. Is the war on? Off? Strait open? Closed? Fuel prices were stabilizing again when the Strait was open, so what do you know? One day, I was curious and I find a quite good deal for a flight that lined up with my hotel booking.

And I thought…”why *can’t I go to J-rock fest? Why *can’t* I go see a certain special guest the day before at Japan Expo?”

So here I am, boarding the 7.5 hr flight to Paris, with Air France.

I get good luck on free seat assignments during check-in. A window seat with nobody in my row for Winnipeg - Toronto and an emergency exit seat with extra leg room and nobody in the middle. I even get a few hours of solid sleep. Win!

The flight attendant in my area is super helpful, fluent in French, English and Spanish. The food is also pretty decent. No wifi, though. That was more of a plane technical error than a gap in services. Good thing I downloaded some festival essentials for listening. Reviewing MUCC’s Anime friends set a few days ago, I’m hoping we get Iris too.

The breakfast portion came in this cute little bag instead of a tray, and the snack in the dinner was this salty bread crisp snack.

On a side note, the pilot addresses the passengers to let them know that this is his final flight after 19,000+ hours airtime.

During landing, I feel a bit of turbulence and I’m thinking “is this just a real soft landing, or are we still in the air”? We finally land, and people brace before giving a round of applause from behind me.

So getting through the airport and customs is not quite as much raw distance as an airport like Narita, but it was also not quite as labelled as I would have thought in terms of how to get to CDGVAL. That didn’t come until a few confusing turns after Customs.

As my mother warned me, a guy in plain clothes approaches to offer me a taxi ride. He tries to chase me for a bit, but I let him know that I really need to go store my luggage.

My hotel is a bus ride away, which adds too much time on my tight connections for sightseeing today.

Thankfully, I eventually find the office and it’s only a couple minutes walk to the RER train heading into central Paris. I pre-bought my 5 day metro pass through IDF Mobilities, so it was a simple Validate and go.

After a long train ride, I get to my first stop just a few minutes after the start of my scheduled entry for the Conciergerie.

Once I get there, it’s a pretty smooth entry. Quick security check, then scan my reservation code and Paris Museum Pass and I’m handed a tablet for an Augmented reality commentary and visual representation of what the building used to look like from the time periods of 1315-1380, as a medieval castle and banquet hall and again between 1735-1795 as a court and prison.

Rush played shows at the Conciergerie’s kitchens?

One room, known for being a court house, even offered a very different change of perspective between the old Royal-run courts and the Revolutionary courts of the later 18th century.

Speaking of…

The second half of the museum focuses on the history of the French Revolution, both in its initially liberatory purposes, and the draconian measures it took to cement the new Republic’s grasp on France. Near the end of the route, we see the prison’s chapel, rebuilt around Marie Antoinette’s final cell before being led to the Place de la Concorde for her execution.

Personal items of Marie’s, I promise the photo bomb was completely unintentional.

I must say, they have a final augmented reality section about the path she took to her public execution, and this sketch artist did her dir-ty!

I realize that I budgeted too much time for this, and I now have almost a full hour to kill. Time to go grab food at a cafe. I can fill my misting fan too, nice!

Next up is Sainte-Chapelle, a Gothic cathedral dating back to the mid 1200s, ordered built by King Louis IX. It used to hold a few holy relics of great significance such as the (allegedly), original thorn of crowns used during the first Passion of the Christ re-enactment and a piece of the original cross, but these were almost all destroyed during the Revolution (which targeted nobility and clergy alike). The crown managed to be moved to Notre Dame Cathedral, where it remains in their treasury.

Even though most of this is a re-build, the architecture is just fantastic. There are two levels, the lower level, meant to serve the staff of the King, and the upper floor, reserved for King Louis IX’s use, and for him to meet noble guests.

I typically don’t spend very long at churches, temples, shrines, etc. While I can appreciate beautiful architecture and historical significance, these things hold no spiritual significance for me…so a quick run through and a few photos is usually good enough for me.

Which brings me to my last thing before it’s time to go back. Notre Dame Cathedral is free to attend and no reservation is required. It’s a good long line up, but I figured I’d get some pictures first. Here’s Pugrou meeting Charlemagne!

And the infamous locks of love on the gates of the cathedral.

The line is moving decently quickly. I see why there’s a little bit of a delay though, and some people being turned away. Dress code!

Yes, even in this heat, we can’t be having women showing anything above the knee, or any shoulders or cleavage. I saw a few women trying to argue, but to no avail.

I of course, have no problem being approved. Sorry ladies, a non-believer can get in just for giggles, but you’re wearing a tank top in +33 heat, so no Evening mass for you. For a second there, I think that they’re about to start scrutinizing a girl who couldn’t be older than 9 or 10, but they decide to let them through.

However, about an hour later while I’m chilling inside waiting for my tower access, I start seeing a lot more short shorts and tank tops, so maybe they let up.

Men were scolded for not taking off their hats, or for talking or being on their phone in the “inner” seating area. Outer seating area was more lenient. After giving the cathedral a once over for photos, including many statues and portraits of various saints, I sat in the outer area to wait for my 6:45 window to go see the towers (covered by the Museum pass).

I would have liked to have climbed to the bells, which millennials among us may remember from their cameo in The Hunchback of Notre Dame, but between the heat and my general lethargy, I only got half way before turning back. Got some gnarly gargoyle pictures though.

By now it’s getting late, and my baggage needs to be picked up by 9:00, lest I get locked out. I *need* another drink at this point, and I finally find a vending machine in the underground. Oooh, Pepsi Zero…aaaand it’s warm. Why?!?!??

After some confusion over which tram *actually* went to the Airport (why advertise that track as Airport bound if your trams stop at the Expo centre and you need to change tracks for the real Airport line?)

Now, I *will* need those earlier stops for half the trip, so not the worst. But Still! A homeless guy also asked me for some money, but laughed it off when I told him that I don’t speak French, in French.

I find out that the busses to my hotel are actually Terminal 3, but at least the Airport transit is free. I finally find a public tap…alas, lukewarm as the Pepsi Zero.

I’m kind of used to places having no air conditioning here. No reference at all to it in the booking, so I assume no.

Guess I assumed wrong, because I’m greeted by a wave of cool air upon entering, and my mood immediately perks up. A bit of a learning curve at first, but things are looking up.

Or at least the temperatures are.

PS, feel free to post any Paris sightseeing stuff in this thread. It is a couple of days still before the festival.

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See, these are the good choices we all sometimes make in our lives :heart:

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Also this has really changed, the heat waves have gotten so common that France & the mediterranean countries are almost starting have AC as the norm now

I look forward to hearing about the rest of your visit to the old continent!

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This was a delightful read while I wait for my first flight. I truly can’t wait to see the Notre Dame again, I was only a kid on tour the last time I was there and I hope I can just soooooaaaaak it all in this time. I am a huge fan of the Disney hunchback movie.

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I’m always impressed by people who are able to go do things immediately after getting out of the airport. For me travel days are for travelling only (and getting food) :joy:
That one gargoyle is very relatable. The IMG_7797 one.

Looking forward to the festival report, especially MUCC’s part because I’ll be seeing them on Monday! :star_struck:

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Be glad you weren’t connecting through CDG. The parisians have their reputation of rudeness for a reason, and apparently they lose your bags for 3 months after telling you you shouldve checked in earlier (I couldn’t and i took the earliest flight)

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So far, the Parisians have actually been pretty nice. I noticed a bit of abruptness at times from Londoners. One actually made my sister cry, lol (well, not for her).

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If you have the courage in this heatwave, you could go see Montmartre, it’s very nice but filled with tourists and lots of climbing as it’s on a hill so I would recommend going in the morning.

Place Vendôme is nice too and the area around as well (lots of luxury shops) with the Jardin des tuileries

Place des Vosges is very nice and there is the Carnavalet museum (history of Paris) close by if you’re interested in that

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For anyone who wants to increase their immersion, there’s a harajuku crêpe shop in the center Google Maps :face_with_tongue:

Doesn’t lose to any of the shops in Tokyo imho!

Belleville is nice if you’re into street art and things like that.

I freaking love Montmartre. Also heavily recommend.

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That was a fun read! But you’ll get much more than the heatwave, I guarantee you! The MUCC show here in Brazil was really cool, though short and with more anisongs (except Ranchuu, which rocked HARD)

Day 2, Visiting Versailles while listening to Versailles in anticipation of seeing Versailles a short distance away from Versailles.

A mouthful, right? Today is a full day, between getting there, touring the Gardens and the Palace, and coming back.

Something I never noticed on the IDF Mobilities app until now, though…

Oh, I’m sorry, I didn’t realize there were poors on this train. /s

I arrive at the meeting place, kind of off the beaten path. It looks like a bunch of apartments/air bnb rooms, with a warehouse style door covered in environmentalist slogans. Turns out, Brandon’s four friends are staying here. I’m introduced to Corisca before Brandon comes and joins us.

A driver is already there waiting, and we’re shortly joined by the rest of the gang, Corisca’s husband Taylor and Paige and Siobhan. Everyone will be coming to J-rock fest, but people are split on Japan Expo’s special guest tomorrow. Turns out, at least Brandon and Corisca are heading back to LA right after this for both Kamijo and Yoshiki.

So why not celebrate this occasion with a trip to the Palace of Versailles. We should at least run into other people going to the show in two days.

Our guide, Julie, rides up on a bicycle, almost surprised that this is the pick up location.

Versailles, the palace built on a swamp by King Louis XIV of France, or as he was known as a young child, Dieudonné (yes, literally “God-given”. His parents were “Tragedeigh” types.), construction started when he was 23, and lasted 25 years. He then went on to live there for an additional 29 years until his death at age 77.

One thing that’s clear right away is the references to Greek and Roman mythology in numerous places in the Gardens and the Palace. More importantly, how many times Louis XIV tried to write self-insert fanfic imagining himself as Hercules or Apollo.

Julie points out that this wasn’t just entirely about his ego, though. But about the ways in which his choices regarding the palace conveyed a message to the nobility, whom he essentially “forced” to live in the apartments of Versailles lest they lose all relevance at court.

He wanted it abundantly clear that he alone was in control, and constant likening to Gods was his way of conveying this.

We hear more information about the three main Louis (14, 15 and 16), and it gives very “The Chad Louis XIV, The Virgin Louis XVI” vibes, even if 14 could be a bit cringe at times.

Poor Louis XVI, hated court life, didn’t fuck, made clocks and door locks (a couple of which are displayed in the palace), “simped” for his wife, gets beheaded by the people.

After we’re done looking at the Opulent monstrosity (lovingly) that was the Palace of Versailles, we’re taken through the gardens again on the way to an outdoor restaurant. We have two celiac people and one vegan, so finding something that can accommodate all of us is pretty important.

We all finally get something we can eat, and the obvious problem makes itself known. There are…quite a few European wasps here. No, not white Anglo-Saxon protestants. Actual bzz-bzz sting insects that crave sugar and meat.

We start heading out, Julie still wanting to show us the Petit Trianon and the Queen’s Hamlet, where Marie Antoinette spent most of her time after growing weary of life in the Versailles palace.

It’s a ways of a walk back to the van, but we finally make it, and head back into Paris proper. Time is too short to fit in more attractions even if I wanted to, so Brandon and I head for Princess Crepe (which @starfish kindly linked to, but Brandon has already ate at multiple times and so wanted to show me). After a walk through the neighbourhood, the Le Marais Jewish quarter, it’s time for us to head our separate ways.

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Day 3 - Well, one out of four ain’t bad

Weird headline, I know. I’m referring to my plans today. Another scorcher out there, ideally, I had planned the Hotel de la Marine in the morning, followed by running to Japan Expo for our very special guest, followed by that going off without a hitch and having time to run back to Museé D’orsay for a 5:00 entry and then a Seine river boat cruise.

The morning…was a bust. I was simply too drained between physical factors and my lack of sleep these last 48 hours to fight my way out of bed, into the shower, and out the door for 9:15 am.

The shower is busted too, btw. The valve to shoot the water out of the nozzle is stuck, so guess I’m washing my hair on all fours.

Oh well, this just makes sure that I’ll get there in time for a good spot for Scarf Lady.

2026-07-10 Yoshiki @ Japan Expo, Ichigo Stage, Parc des Expositions de Villepinte

I meet up with Brandon, and we talk to a French X-Japan fan for a while until we are joined by a group of German girls who are also going to tomorrow’s festival. Brandon strikes up a conversation with a couple of different Japanese fans in line, but it turns out that they didn’t actually come here for any VK, or even Yoshiki, but for the idol group ≠Me, which are performing after Yoshiki.

Corisca comes later, and jumps the gate (with difficulty) because of her Princess Yoshiki cosplay. A cosplay that actually won her an extra role in the never actually released Born to be Free music video. She has a funny story about that.

They were shooting, and at one point, Yoshiki gets mad and yells “Where are my fucking pyrotechnics?!?!” The crew tells him that they can’t use them for safety reasons because the fans are too close. “So they’ll move”, was what he had to say.

But she has a goal in mind. For longer than that even, her goal has been to get him to sign her photo book..of him…with his nudes. She finally got her shot by having the best damn Yoshiki cosplay there (according to him, even!), and she had her photo book and a marker, met him, got a gift from him for winning…and she didn’t shoot her shot by asking for a signature. She’s been kicking herself ever since.

So it’s round 2 today. Same cosplay, same book, same nudes. It’s at this point where I really start eyeballing the time. There was a singer when I went on, and now there are dancers. It’s going over by about 45 minutes over schedule when I realize that something is amiss here. At the one hour over schedule mark, people finally start moving, but staff have to physically stop the people at the front, by calling for fast pass only.

Time is ticking. Yoshiki is supposed to be on in 10 minutes, and the kimono dancers are still wrapping up. People try to advance forward to see what’s going on, and we’re scootched back again.

Guess Museé D’orsay might be boned too.

And it’s not like they didn’t plan for breaks in between artists. They dedicated 75 minutes in between sets just for change over, but they’re still running over an hour behind. What a mess.

So eventually they’re tired of us scooting forward, so they place a ribbon at the front.

Turns out, they didn’t even seat any fast pass people as the previous act was finishing, they just funneled them into their own line and are now letting them go ahead…to just…stand there?

The French man that we were speaking to tells me that he got a text from his friend at the festival telling him that Yoshiki’s performance has been pushed back to 3:00 pm.

So I’m not exactly in the most talkative mood at this point. It’s finally at 2:40 that they let the fast passers sit. After three more minutes, we’re finally given the go ahead to find seats. “No running!” They declare. So it’s just speed walking to the best possible seat. Corisca grabs the row in front of Brandon and I. We’re not too far back. Not in the front, front section, but in the first half of the next section, off centre.

So after just a couple minutes, an MC comes out to announce Yoshiki!

A video montage briefly explaining the story of Yoshiki, his personal tragedies, his injuries and his couple handful of foreign concerts since then plays. I wish I could have timed my photo properly for the shot of him dramatically collapsing over his drum kits.

“He’s so cunty”, Brandon says as we’re both chuckling. He heads out, not to the piano, but to the drums first.

He will play a solo for us after all, even though we thought this was a dedicated piano set.

A female vocalist comes out, and we get our first song of the set, Hero, composed for the anime film Saint Seiya: Legend of Sanctuary, scenes from the movie playing in the background.

Yoshiki stops to talk to the crowd, thanking them for their support after he’s been advised to stop drumming by his doctors. He introduces his accompanying vocalist, and lets her speak to the crowd for a few seconds. Her name is Hiromi and she’s happy to be here.

He introduces the next song, Scarlet Love Story from Buddha: The Great Departure, adding that it hasn’t been performed in 15 years.

After another brief MC, we get Forever Love, with the Clamp X/1999 scenes in the background. It was always kind of a violent movie for a corny love ballad, but that movie was also how a ton of people discovered the band.

He explains the meaning of the next song, saying that he kind of feels like a bird with bloody wings (so dramatic), but he can still fly if fans lend him their wings. Hence the title of the Attack on Titan theme, Red Swan.

Hiromi bows and leaves after this one, and he says that he has one more song for us, but wanted to fit in a brief Q&A session. He starts off more towards the left side of centre, and accepts a couple of questions. One asks him how he stays so motivated despite everything he’s been through. Another takes a minute or so to get around to everyone’s question, when are you releasing the X Japan album? He can’t quite answer that, but says “Well, thanks for reminding me…of X Japan…” before heading over to the right side, where we are. We don’t even hear the third question, because we’re all collectively biting our nails for Corisca’s sake.

We’re pointing at her, saying “Yoshiki! Yoshiki!”

“Just stand up, Corisca” Brandon says. He heads over…looks in our general direction…and him and Corisca lock eyes. He walks over…success!!!

“I met you back in 2010 during the Born to be Free music video, and I couldn’t gather the courage to ask you to sign something for me. Will you do it now?”

“Of course!”

Mission Accomplished. Her mission was all of our missions at that point.

He returns back to the stage, and introduces the final song. He wants us to think of all the suffering people in the world, and rain down our love on them. You could say that it should be Endless???

No vocalist for this one, just an instrumental, with chorus help from the audience.

A group of people head up to the stage for a couple autographs and handshakes before he has to leave. Fans drape a French flag with fan signatures on him. After people take some up close pictures, he says his final goodbyes to the crowd. Starting a “We are?” “X!!!” “We are?” “X!!!” “You are?” “X!!!” Cheer going. I can say now that I’ve participated in one.

So I’d call that a win. Eyeballing the time, there’s no way I’m getting into anything in downtown Paris at this hour, and I’d rather just spend another hour with the group at Japan Expo, grab some ramen, and get going back to my room where I’ll crash super early for an early start tomorrow. Who knows? Maybe I can even make up some lost ground.

Setlist:

Drum solo

Hero

Scarlet Love Story

Forever Love

Red Swan

Endless Rain

Bonus round: 15€ lucky snack bag Snack or Pass round

Apple flavoured DBZ beverage. 132 kcal? Not bad. Snack!

Root beer/cola flavoured Doraemon lolly? Sure, snack

Dadadan wafer cookie? Snack

Tasty fast food teriyaki flavoured stick? Probably pass.

Never had these, but it feels soft. Snack!

Not the biggest fan of strawberry cheesecake, but I will snack if hungry.

Textured peach flavoured gummies. You know what, I’ll say Snack!

A grown up Kitkat that adds berries and nuts to the chocolate. Hmmm, don’t know how I feel about that…pass.

A white chocolate chip cookie. Snack!

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Ooo

Thanks for your sharing, Katie! My regards to your friends, they’re a colourful bunch with stories to tell. Happy to know they’ve crossed paths with Yoshiki in someway and now with the signing, it’s full circle!

Day 4 - B7Klan fest Day 1

No excuses today! I’m getting up right at 7 am, and getting ready to leave early for the sightseeing today.

A little hiccup, from when I checked last night. Turns out, when I booked everything, the Catacombs was not available to book because you have to wait until you’re one week away from your visit. Did I remember to go back and book?

Of course not.

But hey, that’s one less admission fee I need. Everything is booked until next week.

So instead, let’s see if I can re-do D’Orsay…

Shit, nope. All sold out, and closed Monday.

Guess it’s Place de Concorde/Hotel de la Marine in that slot.

First on today’s schedule is Museé de Cluny, the Middle Ages and Antiquity museum. An exhibit that they have until tomorrow is their Unicorn exhibit, exploring the history of the depiction of Unicorns in medieval art. The current working theory is that wires got crossed between travellers to the east seeing tusks and four legged hooved animals with horns, and narwhal horns being discovered and coming to the conclusion that these were the same animal.

The basement of the building was the previous site of the city’s Roman baths, so as you go from the basement to the top floor on the one side, you see the transition from antiquity to medieval, and then as you cross a certain threshold, you get the more modern architecture when that portion of the building was built much later. The museum itself has been operating since 1844.

The rest of the museum focuses a lot on religious art, statues. There are original statues from the Southern portal/Western Facade of Notre Dame Cathedral from 1220, and original items from Sainte-Chapelle from the original era as well.

One thing they are known for is their tapestry collection, as well as their collection of detailed ivory and wood work. The museum goes through the different eras, mainly from France, but they also feature many works from Italy and some from Spain.

Hey…wait a minute…

Anyways, plenty of time, so I decide to walk over nine minutes to The Panthéon. A monument to Paris’ Patron Saint, Genevieve, originally ordered built during the reign of Louis XV. Its purpose was revised during the Revolution to be a crypt for important military, revolutionary, social and political figures.

Notable people buried here include philosopher Voltaire, composer Jean-Jacques Rousseau, scientists Marie and Pierre Curie, and author/playwright Victor Hugo.

The first floor is more of a tribute to the spirit of France, including their military struggles, folk heros like Jean d’arc, the revolutionary spirit, and innovation. The innovation is represented by Foucault’s pendulum in the centre of the building.

Next, I really wanted to catch up on missed ground, so I head over to Hotel de la Marine.

…if this bus will actually get here. Two busses come and go in Google Maps, without a single 84 physically showing up. I see one on the other side of the street and intercept the driver on his way back from a washroom break. “Oh, it is the other side of the street!” …but I was there for over 25 minutes, and…nevermind.

A large estate of apartments built right at the top of what was previously called “Place Louis XV” (later renamed to Place de la Concorde), for reasons you can probably guess by now. It became the office of the Navy after the revolution.

As it turns out, the royal jewels were kept at this location until they were looted during the revolution.

It was originally the residence of Marc-Antoine Thierry de Ville-d’Avray, the King’s Intendant of the Garde-Meuble (the royal furnisher).

This was one of the enlightenment era dwellings, so there is actually a fully fledged bath. This is after they discovered that boiling water kills parasites and pathogens.

This leads me to the balcony, where I get a few good shots of other important landmarks in the area.

So, that is over sooner than I thought…plenty of time to get to the festival!

Getting to the Parc des Expositions by 1:30 ish, I try for the washroom, but it seems to be a pay toilet. Weak.

I get in line for the 39 bus to take us closer to the Arena Grand Paris, when who do I hear???

Brandon! We travel to the grounds, talking to people along the way. They do ticket check, security and wristbands all at the entrance to the fair grounds, so to speak. They have a few food trucks, bubble tea, merch tables, a couple porta johns, an outdoor DJ, and sitting areas. No outdoor water source (or, any liquid source if you don’t like bubble tea).

I run into @KentaroFox thanks to his J-rock One sign. I wouldn’t have recognized him without a fur suit, lol

There are drinks inside and bathroom faucets. The schedule is a little different today. DJ Sisen is finishing up just as I come to the main floor. A decent standing crowd are already gathering. I figure I should sit down, because there’s no way that I’m able to stand for the next eight hours in addition to the last two.

I meet another couple lovely board members, but don’t have much opportunity to chat. Hopefully today!

Hey guys! Remember when we had that Taiban livestream? Here’s video clips from all of those bands.

First is Friend of the Festival, French metal band Souffre. The band comes out to mild enthusiasm from the crowd. The vocalist has this tall mask on that makes him look like a robo priest.

About half way through, I notice the audience getting more into it, even though they probably weren’t the top of anyone’s list coming here (no offence meant).

Hey guys! Do you remember when we played those clips right before Souffre? Here they are again in case you were in the bathroom.

A few transition songs off of “Visual Kei’s greatest hits of the last 30 years” playlist, including Dir en grey, MUCC, Dimlim, and we’re having soundcheck for I to rito no Musyozoku, a band that I skipped during MASKED, because I figured that it would be a toss up 50/50 on if I’d be coming here.

Starting right at 4:50, the members head out on stage, including a man with a red backpack and teased black hair.

Look everyone, it’s Hiro-kun!!! Eh, Chiru?

Kidding, kidding.

After a couple gulu-gulu songs, I-san talks to the audience for a bit. He loves the word Bonjour as much as Kamijo nowadays.

“Bonjour! Fucking Bonjour! Mother fuckers.”

“I am a Pokémon! Pikachu. Pika-Pika!…*chuuuuu* Super saiyan, Kamehame….”

Audience “ha!!!”

They then play two songs off the current EP, the audience enthusiastically dancing.

“MUCC!”

Everyone *cheers*

“No, support Luca. Not band MUCC Alright! I know fucking Japanese! I am Japanese! No…*you* are Japanese!”

Wait a minute…isn’t the drum support Natsu from Nocturnal Bloodlust today?

“Fuck!” “Fuck, fuck!!! We? No gulu gulu. We are Musyozoku!!! Next song, Hidarite wa Snuff film”

Gotta get the viral hit in there somewhere. That cover goes super hard, btw.

After a couple more, they fake out like they’re about to cover Melty Love by Shazna, instead it was (I think?) a somg of theirs off the EP.

They say their final goodbyes after a 36 minute long set.

  1. 変なメリーゴーランド (gulu gulu)
  2. 宙吊り少女 (gulu gulu)
  3. 轟音とニードル
  4. 楽園に死す
  5. おやすみ。 (gulu gulu)
  6. 左手はスナッフフィルム (gulu gulu)
  7. CHILD’S PLAY?
  8. 首輪教育のすすめ (gulu gulu)

Setlist, Thanks @Demivee

Another thing I guess I’ll mention, but the whole “no photo/video” thing is not being enforced at all. Quite a few people were recording some, if not all of the set. I snapped a few pictures per set, but didn’t want to block anyone’s view.

They do seem to have a wifi dead zone here, so people can’t stream live.

Kizu are next, but I decide to stay sitting for them too. Might not stand up until MUCC, being honest. I need to conserve some strength for tomorrow.

Hey guys! Remember that Taiban contest we had?!? How many of you actually got to vote without a VPN?

But they’re back to best hits of the last 30 years playlist, more Dir en Grey and MUCC and do we have Kagerou’s XII dizzy? They start up Kagrra’s Utakata, but cut it off for Kizu. Don’t know if that’s an upgrade or downgrade.

They open with Jigoku and Kizuato off of Kataki.

Three songs in, Lime grabs the guitar and starts strumming for Heisei. It kind of sounds like the amp isn’t plugged in, but that’s intentional. The bassist Yue greets the crowd with a Bonjour! Another song off Kataki later, they play Oni, the highlight of the set. Lime tells everyone that he loves them. He gets a woah-oh going for the end and leans out into the audience.

People bounce up and down for Little girl wa Yandeiru. A few later, they end off with R/E/D. They throw their picks and sticks into the crowd and the drummer Kyounosuke grabs a Spanish flag that fans have signed to hold up to display.

Setlist info, thanks @EvilHippy

LM.C come on, and I think I’ll stay seated. Bertrand does come through the mic to remind us that LM.C have a no photo/video policy as the intro track starts with a round of claps from some people.

Fuck it, I’ll stand.

As a side note, did anyone know that LM.C stands for lovely-mocochang.com? I didn’t.

A chant of L!M!C! starts, as they play Let me Crazy! followed by crowd pleaser Oh my Juliet. After another couple, Maya grabs his phone and types out something to get the French translation (*his* wifi works?!?). Someone who actually speaks French could probably do a better job of what exactly he said, but I think it was that he thinks coming back to Europe is possible?

He announces that the next song is 88! Hachi hachi in Japanese. He doesn’t even try to say it out loud in French.

A lady a couple spots in front of me is still recording, and a staff gets by to tap her to tell her to knock it off.

A couple later, and he grabs a tambourine. I also hear the familiar Boom Shaka Booms for the second last song, Veda’s The Buddha.

Flags with the Glimmical Impact cover wave on both sides of the stage as he drapes a banner that fans have signed over his shoulder, ending with Boys and Girls.

  1. LET ME CRAZY!!
  2. OH MY JULIET
  3. DOUBLE DRAGON
  4. @FUNNYFUNNYFUNNYFUNNY PHANTOM@
  5. 88
  6. Campanella
  7. Chameleon Dance
  8. Elephant in the Room
  9. The BUDDHA
  10. BOYS AND GIRLS

Setlist, thanks @Leo !!!

I move up a bit for MUCC, might retreat a bit for Versailles if I get really sore.

Hey guys! Remember that Taiban contest we held??? Pugrou does now.

MUCC are fresh off an appearance at Anime Friends in Brazil and a solo show in Berlin a couple days ago. And they have a full hour to wow us, kind of right in between the set lengths of both shows.

I’m on Yukke’s side. And speaking of…Hi Yukke! He’s not above testing his own bass. I remove all of my “flair” from my bag, because I don’t want it getting ripped off in case of push pit.

Oh, who are we kidding? This audience probably isn’t hard enough for it.

I’m super happy with the first few songs. Makes sense that they’re playing Kowareta Piano to Living Dead stuff, seeing as how they had to cancel that tour due to Covid. Tatsuro grabs the harmonica, and that typically means Fuzz. Could also mean Kimi ni Sachi Are, but a girl can dream, can’t she?

A lady adjacent to me, who I assume is the girl beside her’s mom, taps her to tell her that she needs to get out of there after Iris.

After the first few songs, Tatsuro gives us a Hello, followed by a Bon soit, followed by an awkward eta ne….before using the translate function on his phone to say something in French. After Ageha, they play a few more newer songs, slowing it down from the first third. Continuing the trend with newer single Never Evergreen, to the audience’s excitement.

“Eh, I am so happy…to come back. Maybe we will…come back soon”

The audience is happy to hear setlist mainstay Nirvana, followed by the rarer Myakuhyaku track, Heide.

It’s left a bit ambiguous as to what the other song is…please something heavy. Saishuu Ressha. Eh, not really heavy, but it’s an older one, I’ll take it.

  1. Suiren
  2. サイコ
  3. Fuzz
  4. Iris
  5. Ageha
  6. Lipstick
  7. Never Evergreen
  8. Nirvana
  9. Heide
  10. Saishuu Ressha

They introduce their support drummer Natsu and head off stage, and I think the audience really liked it.

Hey guys! Do you remember when we had that Taiban contest? …do you?

I think I’ll stand for Versailles…most of it. Just not so close. One thing I miss most about Japanese shows? Almost always being of roughly equal height to everyone else there, so being able to see well almost all the time.

Speaking of Versailles, Kamijo has recently announced that he no longer cares if you take pictures of him. Not 100% sure about the rest of Versailles, but I guess we’ll see if they announce anything. It may only be a few bands that they announce that for.

We are!

Versailles!

The chant starts up as the members head out and start with Aristocrat’s Symphony. A good selection of fans near the front with coloured light up roses. Everyone looks as lovely as ever. People are taking full advantage of this new friendliness towards filming.

Give me your voice!

Give me a shout!

Shout!

Shout!

Shout and Bite!

We finally get our:

Bon~jour!!!

Bon~jour!!!

Bon~jour!!!

Chant.

“Finally!!! We are back!!!”

“Are you ready to go insane???”

Masquerade!

Kamijo introduces Masashi for a quick bass line before Teru and Hizaki erupt in guitar.

After Suzerain, we get zombie, and Teru takes the lead on this one, playing centre stage. Hey! I remember this one from Dark Princes Night with Haruka.

Merci Boucoup! Dankeschön! He calls out after the cheers and applause. “Who is a Vampire? Who is? Me?” And we get that aptly titled song, followed by Ascendead Master.

After the slower ballad Sympathia that has Teru and Kamijo throwing their coloured roses in the audience…he announces. “Next June, anniversary show…right in Paris.” Everyone cheers, and they head into crowd pleaser Revenant Choir. Kamijo introduces the guitarists and bassist once again as they all play centre stage, closing off the main set, introducing the support guest drummer, Hiroki.

But he still wants a final cheer for all of the members, leading us through Masashi, Teru, Hizaki and finally himself. He asks us to give a big congrats to B7Klan for putting on such a great festival, and Bertrand in particular. The band members throw the last of their coloured roses into the crowd.

Setlist Thanks to @Dorian

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omg you are very dedicated to getting most out of your trip :sob:

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Thank you for this great review of the 1st day!! (^_^)

Im excited to hear about everything on day 2! ( ^ω^ )

Day 5 - B7Klan Fest Day 2

Figuring that I should still get out to another major attraction, I decide on Museé de l’armeé, which is really comprised of four different parts. The WWII exhibit, the Armoury, Les Invalides, and the Dome Church.

The building was initially created by King Louis XV to house injured/disabled war veterans in the 1700s (Les Invalides), but it has since expanded into a fully fledged museum. The first wing discusses Charles de Gaule, the head of the Free France forces in 1940 under Nazi occupation, and eventual French President.

The exhibit has various artifacts from the Second World War, uniforms from all three major branches of military, and also mentions the contributions of soldiers in the French African colonies. Like Félix Éboué, whose tomb I saw in the Panthéon.

The second floor is dedicated to the history of deportations under the Nazi regime, including summaries of all major camps, their purposes and an interactive terminal with all of the different identifiers. At the end of the hall is a collection of things seized from Hitler’s home by French troops.

Next, there’s the Armoury, with all of France’s stores of old armour and weapons. No armour or weapon is too old for the French government to keep safe. Who knows when it might be needed?

“Suit up boys”

“Le petit garçon as well”

“Grab a weapon, now”

“We heard Moi Dix Mois were in town”

Speaking of old, here’s an introduction to another important French historical figure, Louis XII, whose armour is on display.

After that, there’s one more major landmark here, The Dome Church or Cathedral Saint-Louis which hold the remains of Napoleon Bonaparte, his son, and his two brothers.

So I decide that I’m just *done* sightseeing today, I take the train to Parc des Expositions to catch the 39 to get closer to Arena Grand Paris.

I bought a Fanta to keep me hydrated, and am told that I need to down it before I’m allowed in. Oh well.

First priority, my pre-orders. This time, no line up! I’m lucky enough that they have all of my items, and all at the same general area. Took 2 minutes, 9/10.

When who do I see when I turn around, but @KentaroFox ! I say hi to him again and ask him where the others are. We’re eventually joined by @EvilHippy and @Kuryou , who is here for Azavana and D’espairsRay M&G, but who can only stay for Azavana’s set due to travel complications. Oh well, D’espairsRay will come back! European tour just announced yesterday!

Brandon walks by, and I introduce him to the others. It helps to put a face to the name.

We decide to head to the shade, and evil_hippy goes to grab a couple of others by the food trucks.

I sit down and-

“Oh my god, are you Katie?”

Another board member! I’m introduced to Josi (@Xayide ! ) and her boyfriend (not a board member) from Germany. So we chat a bit, and I let them know about the other board members.

The rest of the members join us, almost all from Germany. I had to go spend the rest of my Euro and grab food, so I didn’t grab/remember everyone’s User IDs, but I do remember @blossomingRuin joining us. All he wanted was some soft serve ice cream, but the truck lady thought he wanted soft drinks.

I finally get a D’espairsRay hoodie in the right size for my friend back home!

People are starting to head in, so I finish chowing down on a burger while talking to @CervaCannibale about the safety level of Canada. I finish up and we head on in.

Getting a Fuze and a Water, the water is actually much cooler than the Fuze.

UK power metal band Imperial Age are opening the day and they manage to warm up the crowd pretty well. They finish their set by saying that they’re going to play their newest song, not previously released before, Reborn.

Hey guys!… check out Kamijo’s fall European tour! Get your tickets at envolprod.com!!!

Hey guys! Remember when we had that Taiban contest???

You know what, it is what it is.

One more oshi-Katsu for good luck

Hey guys!!! Did you know that Broken by the Scream will also be touring Europe this summer? Neither did I! Get your tickets at envolprod.com!

An cafe are actually first, because…we still aren’t sure why they had to move them before Azavana and Jiluka. They’ll still get their 55 min set, though.

They open with Maple Gunman, and Miku has decided to opt for a simple black outfit today. He’s showing off with kicks instead. After Kokusei Heroism, Miku gives us a “Nyappy!” Exclamation, before reciting practically a whole speech in French, sans téléphone! Damn! He rehearsed!

They play older songs Snow Scene and Escapism, and at this point he introduces the band, switching between English and French. Kanon gives us a Kame-hame followed by an audience “Ha!!!”

See that’s the thing, they think we’re not only weebs, but also basic bitch weebs who only know Pokémon and DBZ.

Next song, Cherry Saki Yuki!!!

They slow it down for Meguriaeta Kiseki before Miku and the other members addresses the crowd again in French. They’ve been doing the Duolingo course since this show was announced, weren’t they?

We get another slow ballad, Aroma followed by Sennen Dive to liven things up again.

“Thank you for meeting us!!! I will never forget this, I love you all!” Miku yells as he introduces the last song, Smile Ichiban ii Onna. Fans jump up and down, and I can’t help put think… it still sounds like Miku is saying “Kirameke penis” in the chorus after all these years. He promises they’ll be back soon.

The guitarists of Azavana come out to cheers from the crowd. Shiyu taking a crowd selfie. After testing their instruments, they wave goodbye and we have a few minutes left before their set.

Opening with a song off the new album, Gokushi, the front row clearly excited to make the most of the 35 minutes.

Azavana is one of the few bands who had people doing a dedicated slow forward headbang halfway through their set. The energy keeps up a consistent level until the end, when the songs slow down with Hoshiakari, Shitataru Kyomu.

The vocalist Ryo thanks the crowd in French before announcing their last song, Shinon.

After what seems like a bit longer than 20 minutes, the Jiluka intro starts up. Sena has this pink light built into his guitar now.

The “bros” of the VK fan scene have finally come out, hardcore dancing as they open with DeVils and Kvlt.

The energy from the audience remains at a high, and then Ricko calls for a pit to open up after Ba-la-de-da.

An EDM beat plays, and the audience claps enthusiastically. Before announcing Savage, Ricko motions for a wall of death this time. But it’s not good enough, because right before he announces the next song, he says he wants a biiiig gap. Wall of death!!! He wants you to gape for him, audience.

The growls the song title, Blaaaaaaaack. Motioning for a circle pit after the people collide (I couldn’t tell, I was on floor level and couldn’t see the supposed pit). They close it off with Venom.

I have a bit of time before D’espairsRay, so I get another water to use up my change (the cold hasn’t held up well these past few hours). Like they unplugged the fridge these were in two hours ago to save energy.

This is the first time I’ve heard Malice Mizer show up in the rotation of best VK hits from the last 30 years playlist inside the venue, with Le Ciel.

D’espairsRay head on, still no word of a filming ban in sight. Is it really only LM.C and Moi Dix Mois who will want it enforced?

Opening with Garnet, they sound just as good as all of their other Japan reunion performances. After Born, a chant of “D’espairsRay!” starts with one person and quickly catches on, filling the arena. As the set continues, it becomes clear that they have one of the most cohesive, filler free sets here, followed by Versailles. The audience enthusiasm never really drops, even enthralled with their one token slower track, Paradox 5 from Redeemer.

Another D’espairsRay chant starts before Hizumi hits his chest with the microphone to get us to be quiet. He announces how happy he is to be here seeing all of us, and that they’ll be coming back with their new European tour just announced yesterday. They end off the set with Love is Dead, Devil’s Parade and Mirror, the whole audience singing along with the choruses.

A large portion of the crowd dissipates during changeover, a group of men either shirtless or wearing wifebeaters pass through the doors, chanting “D’espairsRay! D’espairsRay!”

In Heaven by Buck-Tick on the playlist!?! It’s been upgraded to best VK hits of the last 40 years now. Rest in Peace, Atsushi.

Ryux, the second guitarist of Moi Dix Mois is out testing his guitar. The crowd gives a cheer, but he goes about his business.

The lights go down 8 minutes ahead of schedule. Is this the announcement?

It’s a brief animation, and the logo and..background music? No announcement?

People cheer and raise their phones in triumph, along with a spattering of Blue rose lights. They start with Dialogue Symphony, and follow with Front et Baiser.

But no, I’m dumbfounded. Has the day finally arrived? The day that inevitably happens to every Visual Kei artist that performs overseas more than a couple times?

July 12, 2026…Mana Stopped Caring Day

Just a few days after Kamijo Stopped Caring Day.

They perform Solitude followed by Beast Side. Near the end of Beast side, Seth gets a Beast side chant going, then pauses. He monologues a little bit. Asking us in Japanese if we love Visual Kei. Then, Seth wants us to cheer “VK love!” to the end section.

Gotta say, Seth wins the award for Unbreakable…Japanese monologue skills. No French attempts at all from this man. Wonder if he tried any Spanish on the Kouki/Tsuzuku Latin America tour he joined.

Halfway towards the end of the set, two ladies in the upper first seating bowl screams “Mana-sama!” At the top of their lungs during a song break.

After Ange, where they all come to centre stage for the last minute, Mana takes centre stage to solo for us before heading backstage with the others. Choir music plays, and the set has gone on for just over one hour. Still dark. Can you give us an encoru/encore?

The audience isn’t chanting yet. Not quite. Some hollers. One person yells “Mana?”

Finally a clap gets going. Dies out quick. More hooting.

They head back on, cheering for each member with hollers.

After their first encore song, Forbidden, the two screamers let out another one. They finish off with Je l’aime. The members throw out some picks/sticks, and Mana pauses at centre stage for some drawn out bows.

But we’re still six minutes light of 90 min. A Moi Dix Mois chant starts…dies down after 30 seconds. People are still cheering. The lights stay where they are…and Mana’s back. Followed by the other members. Seth and Ryux address the crowd. Seth in Japanese, Ryux in English. Ryux confirms that they really want to come to Paris again. Seth asks how many people have the official light up paddles, which…a few people do, but not nearly as many as people that have Versailles roses, he announces the *real* last song, Pageant.

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There was a pit, and honestly it was very impressive! I’ve never been to a Jiluka live outside Japan but I’d heard they manage to cause actual pits and walls of death happen which I haven’t seen from a non-diru v系 band since girugamesh ca. 2008, and they sure did!

I was floored by the Mana stopped caring day! Honestly the venue was so big and dark that at least where I was standing you couldn’t see any of them in any great detail, so their illusion of agelessness remains.

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There’s this debate on Twitter of “should we have/shouldn’t we have” because the original intent was to ban photos/videos so that bands wouldn’t need to make their opinions known.

However, they only stated this on the FAQs of their website, and the majority of attendees would not have read that.

Given that they made a special announcement for LM.C, I assume that other bands could have opted in for an enforcement of the original ban if they really wanted.

I suppose I can’t definitively say “Mana doesn’t care”, because maybe he still kind of does but didn’t want to rock the boat for such a large crowd of people, many of whom are going to do what they usually do at a concert anyways.

The only real reason to have a ban in this case is if the artists themselves really insist on it. Keeping a blanket ban when only 1/12 bands cared enough to want it enforced would have only dampered the enthusiasm of people who are used to doing it.

People with a lot of Japanese concert experience were a small minority at this show, from what I could see.

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