We had some queue troubles in Paris, too. Nothing as extreme, the show started exactly on time give or take a minute, but the event organizers failed to delineate VVIP / VIP / GA early enough, and by 6:30pm the line was all the way down the block on a narrow Parisian street and it was slightly chaotic as they tried to wrangle the three tiers into the correct order. Told us to stand in one place, then to move somewhere else, trying to get hundreds of people to move to accommodate, etc. etc. Hardly the worst, but it did strike me as extremely odd.
At Badaboum I was right on the barricade (or lack thereof) in the middle and honestly was just glad I could hear more than the drums, hahahaha. Which is impressive given how excitedly and tight Ushi plays. There were a few times I struggled to hear both guitars, though.
I’m jealous we didn’t get Nosferatu! It’s such standard fare for him. I’m lucky since I got to hear it last summer in Japan, but of course it’s different with a Western audience entirely. I definitely felt I could let loose more in the Paris crowd (as much as you might at any typical rock/metal concert, not beholden to furi), and maybe I’m biased, but I think I saw him smile a bit more too.
I know Badaboum is primarily a night club, and it is hardly the first time I’ve been this close to a stage, but I’m still just shocked at the lack of barricade. I could see the man’s cavities and his nose hairs, I’m not kidding. Saw the line between his foundation and his neck.
It was nice, being able to lock eyes and sing lyrics together and smile at some points, and he gave a LOT of crowd interaction to those up front (I tended to try and dodge, it’s just not my vibe - don’t pet my head pls), which made for lots of fun memories. My neck hurts from staring up for two hours straight! Unfortunately a few people got a little handsy; I saw some trying to play with his coat or grab at him. He played it off very professionally, as one would expect, but still. It’s rude…
I think my only minor complaint is how wicked fast the M&G/photo-op went by. I had more time with him in Japan, which is saying something considering I had to translate for myself on the spot then. I don’t expect it to be a three minute affair or anything, but I didn’t even have the time to ask a simple and quick question! (Which song of his to learn on bass next… Guess I’ll just choose for myself, hahaha.) Guess that’s how it goes, though. I’m a bit of a pushover and felt it’d be rude if I stuck around even a few seconds more after they snapped my photo and made the person behind me wait, so despite Kamijo looking appreciative and as if he could say more or listen more, I just moved on.
Unintentional concert report… Well, I had a lot of fun! I hope this isn’t the last time I get to see him live, whether this side of the Atlantic or otherwise. It was such a treat getting to meet other fans and even talk shop with a few who were more musically-oriented, that definitely made waiting in queue way less painful and it was really nice to be able to react with others in real time.
I’d love to read reports about other stops on the tour!!! 