Zeus, you didn’t have to hurt me that much.
Missa: Erode - it definitely didn’t have to be 6:30 long. Like, I don’t mind the melody, the bass part is pretty good and stuff, but why is it 6:30 long? Meanwhile, if I include all indie era, then I probably listen to Toriko the least.
Gauze: mazohyst of decadence - it definitely didn’t have to be 9:22 long. I hate how sludgy and comatosey it sounds. I dunno, there’s nothing in this song (nor in the remake) that I find bearable. I guess, the remake/DSS era version is bearable just because it’s shorter, but still…
Macabre: Taiyou no Ao - I can’t say I dislike it, but I just enjoy other songs a bit more, I guess. WIthin the context of the album, it’s a very sudden moodshift after a Zakuro. As a song itself… probably too happy for my taste? And that weird margarita interlude, lol.
Kisou: Gyakujou Tannou Keliod Milk - Somehow that intro just makes me wanna skip the whole song, even though the rest is alright.
six Ugly: Ugly - well, for the same reason that Zeus wrote. I guess, Ugly is alright, but I just love the rest of EP more.
Vulgar: there are zero songs that I dislike, but I probably listen to Shokubeni the least. Plus, not gonna lie, I don’t listen to Obscure that much at all.
Withering to Death: Kodoku ni Shisu, Yueni Kodoku - again, the one I listen to the least. Also, that’s just my nitpicking, but the way Kyo sings the chorus nowadays is eargrating. The album is pretty alright, if a bit safe, though.
The Marrow Of A Bone: Definitely Clever Sleazoid’s album version (but I do like the single ver). Apart from that - Repetition of Hatred never clicks with me, with how meandering it sounds.
Uroboros: Gaika, chinmoku ga nemuru koro - Due to my anachronistic way of learning about Diru songs, hearing Gaika for the 1st time made me think “Huh. It’s like Hageshisa, but worse”.
Dum Spiro Spero: Decayed Crow - Shinya’s drumming and Die’s guitar part from 1:06, imo, ruin this track a lot. Plus, probably that’s THE song that makes me dislike Madsen’s sound.
Unraveling: Yep, Unraveling is boring, ngl.
Arche: Welp, at first I wanted to write “a tie between Magayasou and The Inferno”, but then I rememberd Kukoku No Kyouon, lol. One of the more snoozefesty songs out of their discography.
The Insulated World: Zetsuentai. I adore The Insulated World. Somehow, it was just made for me. Plenty of dumb fun stuff after a pretty good (but a bit bloated) Arche. A lot of fat was trimmed, and the meat was juicy. Of course, more serious songs on it (Aka, Followers, Keigaku no Yoku, Ranunculus) are no slouches either, but Zetsuentai… Imo, it is an unnecessary roadbump that exists just to extend album’s length to a reasonable time. It didn’t need to have a fast agressive part at all (which is probably the worst one out of their longer songs).
Phalaris: Ochita Koto no Aru Sora - this song singlehandedly made me pretty cautious about the upcoming album (and their overall sound). When I heard the promo ver. during that youtube lifestream, it just appeared for 2 min and left no impact whatsoever. Full version didn’t make me appreciate it either. Somehow I was worried that this TIW fuckery was a fluke and they gonna get more… uh, meh? Gladly, there are plenty of nice songs on Phalaris, but I still can’t be bothered by Ochita.
AND THE BONUS ROUND: REMAKES.
Obscure somehow got worse/simplified.
Tsumi to Batsu/Kisei is just not my cup of tea (same problem as with mazohyst).
Clever Sleazoid latest retake is too simplified and lacks that high-note TWANG in the intro.
And thus, I’ll take a comfortable position against the wall.
EDIT.
So, I got drunk and decided to add some more text.