I initially wanted to express how sorry I am that Aiolin disbanded, I wasn’t a fan (recently discovered them, here actually) but I quite liked them even though I thought they had not reached their “full potential”: absolutely wanted to keep on following them. Too bad it won’t happen, hopefully they will appear somewhere again some day, even separately.
Especially the way the leader stops any music activity is strange and sad. I hope there is no “dark story” behind it (which can be absolutely personal, even (random example) losing a very close person which makes you lose interest in pretty much everything), whatever made him take this decision we can only hope that time will help: he seemed to love his art, and it’s sad when someone so dedicated to something lets go of everything.
But then… I saw that this topic turned into a war? Between fans, who don’t share the same views on how a band should be remembered/celebrated/spoken about? That is… sad? I mean, these guys lost their job, a part of their passion, what has been driving them in the recent years, and we turn into a war between fans? Sad.
Still, I really don’t think non-Japanese fans should stop themselves from thinking and reacting the way they would following their own culture. Japanese music is great, also because it “speaks” to many people with different backgrounds and cultures: if we reacted to everything Japanese the way Japanese people do, we would not follow our own identity. When a western band appears in Japan, they react the Japanese way: I don’t think they would like us “refraining” ourselves, that is not a good way to celebrate people. Everyone his personality, his way to enjoy life and his way to express it.
That being said, of course there are ways to express things. I really doubt Japanese musicians often visit English speaking forums, so I don’t think we should imagine how they would react in case they would come here, maybe read things they wouldn’t like and all. Yet, in general and no matter what is said, we should always be respectful of whoever we speak about. Japanese-related or not, that is just… basic politeness.
About a few points I read here: when people are credited for arrangements, it means they didn’t compose the song itself but gave hindsight on how to build it (rhythms, harmonies, bridges,…) It is an actual work. If they wanted to split the rights between all band members, they would include all members names as composers: as far as I know, only composers and writers receive copyrights, arrangers are paid a fee as somewhat technicians and point.
In general, also, some people are absolutely convinced that band members in a band don’t matter, they’re simply here to play what they’re told. Some people are even convinced that only producers (who are doing the actual “final rearranging and making it sound good, sometimes real composition”-work) matter: no matter the band members and even composers, the producer will make them deliver a great album if he’s great, or a bad album if he’s bad. In Japanese music, in western music, all styles. I had such conversations with many people, in many styles, always the same type of argument. The conclusion is always the same: everyone his opinion, we can exchange our views but only those in the recording room actually know what happens. We don’t. So no use fighting over it?