Here’s one from my dome piece; mind you im stoned as hell, but i gotta share it, because…
…man, I feel like this is the last real Dir en grey album we will ever get…
In a lot of the materials I read, I saw that everyone was recording remotely, only communicating through email, and zoom chats.
I think of the end of Supertramp in this regard; Breakfast in America being the focal point of dissent. Members of Dir en grey have long been in contempt with one another, stemming back as far as 2004 KEEN UNDER THE SUN Tour, as well as the well documented TOUR 05 THE MANIPULATED LIFE. Members of the band, notably Toshiya/Shinya, couldn’t handle their rhythmic dynamic, which boiled over into sessions from Withering to Death. Dir en grey has always been incredible, but at the sake of the five persons who continue to give their 150% all. It’s not weird though, the relationship is sour; it’s been happening around us for years.
Going back to present day: DeG is in a completely different place, than when they were performing The Insulated World. Interviews from Barks suggest that they were reeling from one disaster to another. [Author’s note: it’s interesting that Dir always makes an album after an international/local cataclysmic event…) You can hear the individual members, for sure…but it seems very very distant. It’s incredible musicianship, it’s incredible arrangement, and it’s impeccable as far as a Dir en grey album is concerned…but there-in lies the problem.
To expand on my earlier Supertramp comment, is a bit of a doozy; the members were at such odds with one another, that they ended up being completely separated for the entire, THE ENTIRE duration of the recording process. It’s been noted that the vocalists could each come in to do their takes, then leave, so as not to interact with one another until the live performances. That ultimately led to the band effectively disbanding, amongst critical acclaim.
My final point being simply this; having seen the turnabout for this tour thus far has been interesting. Just like Supertramp, DeG has been very tight live, yet I cannot help but feel internal strife when listening to this LP. It’s known that Kyo dictates the way that songs flow, and that’s been very unfair to the other four people who are in the band.
I fear a disbanding event soon; but for now, I will sit here, enjoy the album, and remember the times I saw them live.

